(Treloyn Citation2016, 33). Registered in England & Wales No. Use truncation symbol (*) in case either term has been pluralized, Use filters on left sidelimit RESOURCE TYPE to books and collection to MUSIC AND DANCE. In this book, Christopher Poulos provides a step-by-step guide to writing autoethnography, illustrating its essential features and practices with excerpts from his own and others' work. The latter is called ethnography. Tell us about Music Scenes: Local, Translocal, and Virtual. Scout simultaneously searchesthe library catalog, databases of scholarly work(e.g., JSTOR and RILM), electronic collections (e.g., HathiTrust), streaming media (e.g., Naxos and Alexander Street Press), and much more. Ethnologyis the systematic collection, comparison, and contrast ofethnographies. 1. Archives and archiving play a significant role in music sustainability activism because of their role in cultural reproduction. 3.90 avg rating 10 ratings. For good books to understand Jimmy Carter and his presidency, it's important to understand the context in which he was elected and served as president, argues political scientist Robert Lieberman. What is Inside Subculture: The Post-modern Meaning of style about? This knowledge, which includes descriptions of dances, audio recordings of songs and body paint designs for ceremony, is being returned to the community in a collaborative project, which is also discussed. If you've enjoyed this interview, please support us by donating a small amount. In the recently published book Ethnomusicology Matters, Anthony Seeger (Citation2019) has acknowledged the significant achievements of ethnomusicological research over its 70 year history as a discipline, noting in particular its role in the promotion of cultural diversity and significant developments leading to collaborative and applied research (see Citation2019, 2325 for the full list of achievements). The catalog may be used to find print books, sound recording, films, and scores, as well as some e-books and streaming media assets. Sudiipta Dowsetts paper on hip-hop within Central Australian communities brings home the importance of cultural context and practice in studies of music, focusing particular attention on the grounding of hip-hop music within a broader milieu of collective performance and its role in providing a context for the continuity of tradition. The Value of Ethnographic Research on Mu . : The Value of Ethnographic Research on Music, Ethnographic Research on Music for the Global Context, Musical Traditions Within Global Contexts, Engaging with Music Sustainability (and) Activism, https://www.ethnomusicology.org/page/AboutEthnomusicol, http://hdl.handle.net/2196/00-0000-0000-000F-CB5E-2, https://scholarspace.manoa.hawaii.edu/bitstream/10125/24905/1/ldc-sp19-cardoso.radhakrishnan.costa.pereira.pdf, https://ethnomusicologyreview.ucla.edu/content/decolonizable-spaces-ethnomusicology#_ftn1, https://lemondeestenflammes.bandcamp.com/, Medicine, Dentistry, Nursing & Allied Health. In many of these approaches, the value to Indigenous worlds is primary and may significantly shape the forms of research contribution (Kovach Citation2010). While this arguably holds for all anthropologists (and social scientists at large), the crisis faced by ethnomusicology around musical practices undergoing shift and rupture is unique in that it speaks to an aspect of cultural life that is frequently at the emotional core of peoples identity expression. In Search of Respect: Selling Crack in El Barrio. However, this apparent shift away from colonialist approaches has met with criticism for failing to acknowledge the potential of formalism to be equally, if not more, decolonising. I think anyone can relate to that. What would you do there? Morais, this issue). I live on a very small island, populated by few people who tend to live quite apart from one another. This article has been corrected with minor changes. Meanwhile recontextualisation, to a Christian context in the settlement of Alekerenge and a hip-hop context at the Milpirri festival in Lajamanu, has maintained the continuity of the tradition in those places. Arising from interdisciplinary angles and including perspectives from musicians, performers and community members, these papers contribute to the areas in which Seeger (Citation2019) saw not much progress: his call to action involved increasing interdisciplinary impact, better understanding movement and music (dance), better consideration of the colonial divisions sometimes implied in the word ethnomusicology and a commitment to social activism through music research and documentation. Alan Merriam points out the obvious difficulty of these types of definitions in saying that they tend to treat ethnomusicology not as a process of study, but rather as a discipline which has importance only because of the implied uniqueness of the area it studies (Citation1964, 4). The transcultural appeal of music-making facilitates rapid and deep intercultural engagement and knowledge transfer such that ethnographic research on music comes from a unique vantage point with understandings and methodological approaches being deeply informed by those of musical practitioners. With the exception of the occasional seaplane humming over my head or the ferry horn when the boat leaves, all the noises I hear on a daily basis are natural: birds, the winds, and things like that. It is also a timely reminder about the inextricable links between ethnomusicology, social justice and cultural continuity, and the need for research to highlight the values of humanly organised sound in creative and meaningful ways, perhaps even more urgently as we enter a new phase of the pandemic and continue to confront climate change and ecological crisis, all of which are generally having disproportionately larger impacts on vulnerable populations across the world.Footnote5. And as much as music is a construction of a peoples own identity or identities, it is also the way in which onlookers construct their view of who people are, an issue of increasing importance due to the expansive forums in which music can now be shared over platforms like YouTube and other social media sites. So when I go to a city I like to feel like Im escaping. Responding to the proliferation of ethnography both within and outside of academia, in this book, Anthony Kwame Harrison grounds ethnographic practices within the anthropological . We would further like to thank Amanda Harris, Catherine Ingram, Chris Coady, Genevieve Campbell, James Humberstone, Diana Glazebrook and Simone Dennis for helpful feedback on this article. Ethnography is, traditionally, the remit of anthropologists. Here the study of music takes a very strong embodied turn. This book is a classic in this field, especially because of the remarkably contemporary topic. Ethnographic research on music thus provides an important lens through which to understand distinct cultural worlds. It is for this reason that valuing musical traditions, validating diverse forms of creative expression through scholarly interest and facilitating the continuation of tradition (Fargion Citation2009, 769 cited in Lundberg Citation2019, 228) through documentation, archiving and collaboration are all valuable contributions that researchers can contribute to the understanding of human cultures and the empowerment of the communities with which we work (see Curran and Sims, this issue). Field notes are detailed and descriptive enough so that another person could read them and feel like they were there with the ethnographer. This review of research focuses on the relation between language and music, providing the reader with an overview of contemporary scholarship in this area. You won't until you look at it. For many musicians who carry forward musical genres as part of their distinct ethnic identities, deep historical context is crucial in producing the music that they today perform and is core to that genres high social value. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This presents a quandary for documentary ethnomusicologists who take seriously the widely accepted ideas, in anthropology and most social sciences, that identity is socially constructed, at least to an extent, but is not fixed and cannot be reduced to biological essences such as the race or biological sex into which a person is born. They will inevitably participate, sometimes in uncomfortable ways, in processes of cultural production and reproduction (see Peterson Citation2017). The concerns raised above about the role of musical traditions in global contexts, the essentialising tendencies of research and community representations of music and the necessary commitment that researchers have to music sustainability activism are drawn out in varying ways in the papers that contribute to this issue. Book Description. Music, language, and texts: Sound and semiotic ethnography. Refreshingly devoid of interpretation and analysis, Ngs series has promoted individual musical assertions of identity as self-produced and fluid. Over time you become an insider by acting like an insider, by displaying conspicuously elements of that scene. This syncretic quadrille tells us much about Portuguese Burgher identity being a central part of wedding celebrations, an important rite of passage for young Portuguese Burghers and also subject to restrictions that help normalise and valorise marriage within the community and help maintain patrilineality as determining Burgher identity. It is important to remember thatethnography is not ethnography unless it incorporates participant-observationin which the researcher both observes the culture/group/milieu and participates in it to learn more. (Thanks to Simon Fraser University Library for this quote. The UA Libraries can help you create audio projects, such as voiceovers and simple keyboard and acoustic instrumental recordings. Ethnography relies on participant observation as its key data collection method. Look atsources that provide background information on work of anthropologists or sources that provide overviews of cultural groups(encyclopedias, handbooks, bibliographies). The formal aspects of music make it ripe for reification, and this is quite strongly demonstrated in the very act of documentation and archiving that capture essences, that is, particular performances in time which then become reified and referred to cultural products. This ground-breaking case study examines record production as ethnographic work. Think Like an Anthropologist by Matthew Engelke Brilliant, lively, short (ish) introduction into the key issues that shape anthropology. The study of music in the context of customs and culture. This is a globalised context in which the challenges and tensions of continuity of tradition interface with the concerns of Indigenous rights activism, imbuing the performance with a new kind of value. The Routledge Companion to Digital Ethnography provides an authoritative, up-to-date, intellectually broad, and conceptually cutting-edge guide to this emergent and diverse area. An introductory piece by Feld (p. 220, this issue) is followed by seven responses to Voices of the Rainforest. There are essays on the tween scene, on Londons salsa scene, on riot grrrl, on karaoke, etc. We do not always do so in an overly rational way, of course, but for the most part we act towards music in light of what it does for us. Location London Imprint Routledge DOI https://doi.org/10.4324/9781351151320 Pages 232 eBook ISBN 9781351151320 Subjects Arts Share Citation ABSTRACT TABLE OF CONTENTS The key argument here revolves around the concept of subcultural capital. That level of participation, combined with observation, when repeated over and over, allows you to scrutinise what people take for granted. Personally, I always like to tune into the soundscape as it comes, rather than craft one of my own. If you have any questions, please don't hesitate to ask for assistance at theGorgasLibrary Help Desk (located on the first floor)or to contact me directly by email or phone. Accessed 4 May 2020. score: 1,592 , and 16 people voted. We publish at least two new interviews per week. The final paper by researcher Georgia Curran and Warlpiri elder and performer Otto Jungarrayi Sims provides a suitable follow-up, connecting to both the focus on Warlpiri culture and the continuity of its vulnerable traditions in modern contexts. Two booths are available by reservation. Search ethnology this is an authorized SUBJECT. The Professor of Communication and Culture enlightens us about musical enthnography what people do with music, and how they interact with music (and with one another). There are many different social scientific methods to research music. Rate this book. Its importance comes from the finding that members of subcultures or subculturalists are a lot less coherent than they were originally thought to be. In this special issue we aim to address the ways in which scholars together with custodians of musical traditions must grapple with these issues, valuing important community perspectives, understanding why they exist, and engaging with them in sensitive and intellectually rigorous ways which also take into account the deep desires of cultural custodians to represent their music to the world in a way that honours their cultural distinctiveness. Some aspects of ethnography: The University of Illinois Press is one of the leading publishers of humanities and social sciences journals in the country. Many ethnomusicologists interested in traditional music forms take this challenge seriously and know they need to be activists for continuity to some extent as much as observers and documenters of change. Ethnography takes time: traditionally,ethnographerslive among members of the culture they are studying. 4.19 avg rating 3,204 ratings. Register a free Taylor & Francis Online account today to boost your research and gain these benefits: The Value of Ethnographic Research on Music: An Introduction, Say Youre a Nyungarmusicologist: Indigenous Research and Endangered Song, Ethnomusicology and the Indian Ocean: On the Politics of Area Studies, Representing Indigenous Cultural Property in the Production of Warlpiri Womens Song Books, For My Own Research Purposes?: Examining Ethnomusicology Field Methods for a Sustainable Music, Aesthetics as Iconicity of Style, or Lift-up-Over Sounding: Getting Into the Kaluli Groove, On Post-Ethnomusicology Alernatives: Acoustemology, Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage, The Unhappy Marriage of Marxism and Feminism: Towards a More Progressive Union, Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage. Cited by lists all citing articles based on Crossref citations.Articles with the Crossref icon will open in a new tab. The word "ethnography" also refers to the written report of the research that the ethnographer produces afterwards. Rodgers Library for Science & Engineering. The significance of this dance is highlighted by its rarity in the community of Yuendumu where it has not been performed for several decades. As an anthology its purpose is less to advance an exhaustive argument than it is to generate ideas and give a sense of evolving traditions, concerns and concepts. It is the spirit of these issues that we raise in this Introduction, emphasising how ethnographic research on music, with its holistic and inclusive focus, can assist communities of musicians to be heard, seen and respected for their culturally distinct ways of life. In early April, The East Arnhem Land Facebook page announced the streaming of a concert each Saturday evening bringing culture, history and beauty of East Arnhem Land to audiences across Australia and the world.Footnote2 This grassroots effort projected Yolngu identity through culture, music and country to the world, featuring footage of the sunset landscape where the performance took place. Ethnography pays attention to insiders, and it does so by asking something unique from the researcher: to view the world from the perspective of those she is studying. James P. Spradley. This is the reality of capitalism (LMF Citation2020). It is interesting to look at these shifts in purpose for ceremonial performance and consider the globalised context within which this traditional performance takes place. While Scout may be useful as you begin gathering resources, please note that you will probably need to searchthe appropriate subject databasesto adequately cover your topic. Ethnographers frequently need to disentangle issues around the continuity, change, rupture, preservation and revitalisation of traditional forms, both in and out of the field. Lack of the integration of the study of music and movement (Citation2019, 27), which results in dance not receiving the attention it deserves as a vital component of musical traditions. Clear rating. For more information, please visit our Permissions help page. For ethnomusicologists, anthropologists and scholars in general, it is crucial that research bears witness to these important crises and provides critical perspectives and constructive discussions in the struggles of feminism, anti-racism, rights for Indigenous peoples, migrants, children, ethnic minorities, refugees, people with disabilities, and LGBTQ+ peoples, the ecological crisis and other inequalities that have resulted from the current trends towards increased neoliberalism and the normalisation of authoritarianism. DOI: 10.1146/annurev-anthro-092611-145851. This guide provides information on using library and web resources to find books, journal articles, scores, recordings, anddigital projects. Babsi Tollwut, Miss Zebra, Lucia Vargas, Mal Elev, Tsidi (SOS), and Anela (SOS) (prod. Subcultural capital works in similar ways. In mid-March with an abrupt halt mid-way through their 25th Anniversary North American Tour, the cast of Riverdance had to return to their homes in Ireland, UK, USA, Canada, Spain, Australia, Moldova, Ukraine and Russia. As we write amidst the COVID-19 pandemic of 2020, restrictions to group gatherings and travel have posed many challenges for musicians and music-makers whose livelihood and social wellbeing are centred on being able to get together to make music. These balcony concerts connected people in local and global solidarity. 4 See also Louis Chvez and Russell Skelchy (Citation2016) for a short but powerful discussion on decolonising approaches including the role of co-authorship. They also illustrate the increasing desire of localised communities to share their music with a broader world. Look forethnographies in the Library Catalog: Search ethnograph$ -- limit to Music and Dance Library for subject specificity, Use ADVANCED SEARCH to also limit to Books MARC format. Editor: Katherine M. Brucher, School of Music, DePaul University Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Schedule a booth using the link below. This genre presents an interesting case study for the power of diasporic identities to strongly evoke a sense of homeland and the power of music as a vehicle of authentication. I am incredibly old fashioned about these things. Grant (Citation2014, 630) highlights the unprecedented pressure of social and technological change that can lead to circumstances where the transmission and practice of certain music genres within these communities is significantly destabilised, against the will of the communities concerned. Did you know that with a free Taylor & Francis Online account you can gain access to the following benefits? This guide provides information on using library and web resources to find books, journal articles, scores, recordings, and digital projects. Look forethnology I the Library Catalog. The process can be described as a kind of cycle or loop which we can comprehend by viewing the archives as active parts of the tradition and not as passive documentation institutions. The Press is a founding member of the Association of University Presses. DeNoras focus in especially on how music is used to mould our emotional states, or to play into them. Please note: Selecting permissions does not provide access to the full text of the article, please see our help page Complete listing of Ethnomusicology Editors and Editorial Board. Seeger suggests it is an important time to rethink and refine our communications and activities to have a bigger impact. 2 East Arnhem Land Facebook page. She argues that music plays an important role in shaping human behaviour. While the force of this challenge does not necessarily justify salvage approaches to the study of cultural practice, which views change solely in terms of loss, nor does it necessarily justify a complete sense of inevitability about that change. This special issue has its foundations in a conference panel titled Valuing research on musical traditions and performance practices held in Canberra as part of the Australian Anthropology Society meeting on 3 December 2019. For example, an ethnographer studying the religious practices of a culture would both attend religious services and also participate in them, in order to truly understand these practices from an insiders point of view. For the communities that are focal to ethnographic research, musical traditions are often deeply valued parts of their intangible cultural heritage; this heritage includes among other things, the theatre, dance, music, language, and the rituals of a people, as well as the spiritual and philosophical systems that inform them (Grant Citation2014, 1). Register to receive personalised research and resources by email. Shake it and dance! by Mahesh Radhakrishnan focuses on the Portuguese Burghers, a Eurasian community in Sri Lanka, and explores the performance of the iconic traditional music and dance form called kfriinha. Music can almost universally be regarded as an essential part of life. Five Books aims to keep its book recommendations and interviews up to date. His audiovisual release of Voices of the Rainforest and discussions of it (see Feld and other authors, this issue) offer a cogent reminder of the generative (and regenerative) nature of ethnography across time (cf. Amidst these concerns, music continues to remain a core expression of and means for performing cultural identity both within groups and to a broader world. In this introductory article we consider the value of research on musicfor the communities for whom it is a highly valued form of cultural expression and for the produced understandings of peoples' social worlds. It was presented as a statement of working class solidarity beyond borders. Want to Read. Even as more and more data becomes available, many of us have a view of the world that doesn't correspond to reality. If an item is not available at the University of Alabama libraries, you may request itthrough ILLiad, our InterLibrary Loan system. Daniel) 2020. Yet for musical genres that have been passed down over generations in culturally specific contexts and are important to many social functionsmany of which are at risk as they are not being passed on to younger generationsthese restrictions may have far-reaching consequences for the transmission of musical forms to future generations. Our publication program covers a wide range of disciplines including psychology, philosophy, Black studies, women's studies, cultural studies, music, immigration, and more. We ask experts to recommend the five best books in their subject and explain their selection in an interview. Taylor (1987) writes that at the time, four research methodologies were most widely used in music education: experimental, descriptive, philosophical, and historical. The importance of Indigenous agency and power to control what is published and identify key concerns is outlined by Megan Morais (this issue) in her consideration of how to appropriately repatriate archival materials to contemporary community members in a Central Australian Indigenous community. These practices and performance traditions, as studied in their cultural contexts, are in most cases more than art forms; research in this area is, therefore, holistic and interdisciplinary, and researchers delve into other surrounding social and cultural practices, ecological knowledge, language, ritual forms and historical events, amongst other areas. In early May, SLDRT! Quot ; ethnography & quot ; also refers to the written report of culture. 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